
- About
- C.V.
- The Lost Years (B&W)
- City in the Clouds (Color Inversion)
- The L.A. River (B&W)
- In the Garden at Chislehurst (B&W)
- Lunar Sanctuaries & Lunar Fields (B&W/Color Mixed-Media)
- We are Stardust, We are Golden (Color)
- Paths (B&W)
- Representation
- Reviews
- Licensing Portfolio
- Laurie Freitag Catalog (Rep. Duncan Miller Gallery)
- Support My Work
- Contact Artist/Mailing List
- Frames of Mind Portfolio


Laurie Freitag’s work moves between the recognizable and the abstract, beginning with photographs of landscapes, plants, water, architecture, and fragments of everyday life.
Growing up, Freitag was fascinated by the Impressionists. Reproductions of paintings by Claude Monet and Pierre-Auguste Renoir surrounded her, and she was drawn to their use of color, light, and the way familiar scenes could become something more expressive. Although she never became a painter, that early fascination stayed with her.
Years later, through digital photography, Freitag discovered what she considers her own painting voice.
The Tidal Garden is rooted in photographs made during her travels, with much of the work influenced by the tropical colors and coastal landscapes she encountered in Florida.
Using a single digital editing tool—the Perspective tool—she stretches, shifts, and reshapes elements already present in her photographs. Colors blend, familiar shapes become distorted, and recognizable scenes move toward abstraction. What began as a photograph can take on the movement, texture, and freedom of a painting.
Freitag does not add new imagery, layer photographs, or construct scenes in Photoshop. Everything comes from the original photograph. The Perspective tool has become her way of working with an image much as a painter might work with a brush, pushing and pulling what is already there until something unexpected emerges.
Although the finished images sometimes resemble paintings, they remain photographs at their core. Look closely, and small fragments of the original scene can often still be discovered within the abstraction.
Freitag’s work is available for licensing for hospitality, healthcare, corporate, and other interior projects.
“I’m always adding new work to this portfolio.”
— Laurie
Growing up, Freitag was fascinated by the Impressionists. Reproductions of paintings by Claude Monet and Pierre-Auguste Renoir surrounded her, and she was drawn to their use of color, light, and the way familiar scenes could become something more expressive. Although she never became a painter, that early fascination stayed with her.
Years later, through digital photography, Freitag discovered what she considers her own painting voice.
The Tidal Garden is rooted in photographs made during her travels, with much of the work influenced by the tropical colors and coastal landscapes she encountered in Florida.
Using a single digital editing tool—the Perspective tool—she stretches, shifts, and reshapes elements already present in her photographs. Colors blend, familiar shapes become distorted, and recognizable scenes move toward abstraction. What began as a photograph can take on the movement, texture, and freedom of a painting.
Freitag does not add new imagery, layer photographs, or construct scenes in Photoshop. Everything comes from the original photograph. The Perspective tool has become her way of working with an image much as a painter might work with a brush, pushing and pulling what is already there until something unexpected emerges.
Although the finished images sometimes resemble paintings, they remain photographs at their core. Look closely, and small fragments of the original scene can often still be discovered within the abstraction.
Freitag’s work is available for licensing for hospitality, healthcare, corporate, and other interior projects.
“I’m always adding new work to this portfolio.”
Licensing Portfolio
2026, The Phoblographer Magazine named Laurie Freitag one of "10 Incredible Women Photographers to Follow"
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COPYRIGHT NOTICE
All images contained on this website remain the property of Laurie Freitag. Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission.
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